If you want to get even closer, you should consider the medium shot. The most frequently used angle of view is regular and positions the horizon at the level of the character’s eyes, as recommended by the rule of thirds. The length of the long shot depends on the amount of information you want to convey to the viewer or the importance of the action. The long shot can be used for many scenes such as the introduction of a character or simply to show an action of a protagonist already known. The long shot really allows you to distinguish a character from what surrounds him, to focus on his physique, his appearance. If it is the background that you want to emphasize, turn to a very long shot or an extreme long shot. The scenery provides only secondary information. With this type of shot, the viewer will really focus on the characters and their actions. It shows one or more characters from head to toe as well as various elements of the setting. The long shot sets the action and the characters in a more significant way than the close-up shots. The angle of view is most often overhead or regular. Thus, one can very well succeed in expressing the solitude of a character, which is nevertheless an emotion, through an extreme long shot. In a more non-standard and selective fashion, directors can use the extreme long shot for something other than description. In this case, the general shot is not really meant to give information to the spectator but rather to let in some air, to give them a break. It can also be used at the end of a sequence to show one last time where the action is taking place before switching to a new location. Many directors choose to begin their films or new sequences with an extreme long shot to prepare the viewer for the plot by providing various information. It sets the mood, the feel of the film or sequence. The extreme long shot must last long enough to provide all the information that the director wants to convey to the viewer. Characters may be included from time to time, but they will be very small, as if drowned out, unlike the long shot. It shows the entire setting in order to create a context around the action. The main purpose of the extreme long shot shot is to describe a place, a city, a landscape or a battlefield (aka the establishing shot).
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